![]() ![]() Again, this is only a starting point to start your grade and we recommend to do all the necessary adjustments before the LUT node such as tint, WB and contrast. Also, keep in mind that ND filters might cause some shifting in the tint. If you usually overexpose your footage, feel free to do so, but apply the LUT on a second node and adjust your exposure on a first node (in this way you will work on the log). Newer Sony A7 cameras with their latest color science (A7iii, A7riii. If you shoot SLog3 that’s totally fine, but you might need to add a little bit of extra contrast. In my experience, older Sony A7 and A6000 series cameras can all benefit from this tweak. ![]() NOTE: Our Sony LUTs also work perfectly with the A7S III and the A7IV. cube files, such as DaVinci Resolve, Premiere Pro and Final Cut X.Ĭheck out this tutorial to see how to use the BUTTERY LUTs! Yep, just one LUT! Our LUTs are compatible with any software that support. Our LUTs work in every single lighting situation, at any ISO. In your editing or color grading software just apply the LUT to your footage and do the basic adjustments such as exposure, contrast, WB or tint as you like. The workflow is extremely simple: first of all, you need to shoot LOG and LOG only.
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